To understand fragrance history, means above all, learning about the perfumers behind the classics. Similar to painters, understanding their masterpieces often requires closer look into their provenence, their training and the aesthetic references in their palette. For example, Aimé Guerlain was fascinated by verbena, and Jean-Claude Ellena is a man of jasmine.“Tradition is important because everything we are today it’s because of yesterday… Modernity is because I live nowadays, I have a smartphone, I use technology so I try to do things that can be worn in our time, everyday” Francis Kurkdjian told me almost five years ago when speaking about tradition and innovation in his creative process. When I first smelled Absolue pour le soir right after, everything he said became crystal clear. Beginning at a young age, M Kurkdjian has been one of the most influential perfumers of the XXI century, creating mega hits for many designer, niche and department store fragrance. How masterfully he has brought lavender and orange blossom, used for centuries in colognes and fougeres up-to-date. Delving deeper, he is definitely a man of rose and Absolue pour le soir represents the summa of his aesthetics.
|The incredulity of St. Thomas - Caravaggio|
In Absolue pour le soir, the sensual warmth at the top is a masterful handling of the floral aspects, the indolic clove-dashed ointment of ylang ylang. There is sense of tradition though in the heart of the fragrance. Rose is the key: the cherished smell and flavor of eastern countries empowers Absolue pour le soir bridging the honeyed sweetness on top to the resinous burning base and places it along the heritage of Shalimar and Ambre Antique.
|Madonna of the rose - Giovanni Antonio Bolttraffio|
Absolue pour le soir has overnight longevity and above average sillage.